stockhausen

FICC 2026 — UVERSA and COSMIC PULSES in San Juan, Argentina
stockhausen · 2026

FICC 2026 — UVERSA and COSMIC PULSES in San Juan, Argentina

South American premieres of Stockhausen’s UVERSA and COSMIC PULSES at the Teatro del Bicentenario, with Roberta Gottardi and Juan Andrés Verdaguer.

Setup for Stockhausen's SYNTHI-FOU 2022
stockhausen · 2026

Setup for Stockhausen's SYNTHI-FOU 2022

Details on our performance and new setup of SYNTHI-FOU at the Stockhausen Courses Kürten 2022

Festival Internacional Cuyo Contemporáneo - FICC
sound projection · 2025

Festival Internacional Cuyo Contemporáneo - FICC

About my participation in the FICC and my ongoing engagement with the contemporary music scene in Argentina.

Goethe Institut Berlin / Tokyo - unrest 62|22
sound projection · 2022

Goethe Institut Berlin / Tokyo - unrest 62|22

On May 27th and 28th, 2022, I had the joy of projecting Stockhausen's TELEMUSIK and giving a lecture about it, as part of the celebratory events for Goethe Institut Tokyo's 60th anniversary. I had the pleasure of working with a wonderful group of artists, producers and organisers, including: Gebrüder Teichmann, Naoko Kikuchi, Mieko Suzuki, Makoto Oshiro, Angelina Mitterle and Dirk Lamprecht.

GESANG DER JÜNGLINGE at Kölner Dom
sound projection · 2021

GESANG DER JÜNGLINGE at Kölner Dom

On October 29th, 2021, I projected Stockhausen's electronic masterwork GESANG DER JÜNGLINGE at Cologne's Cathedral.

aus LICHT Master Students
sound projection · 2020

aus LICHT Master Students

Our roles in 'aus LICHT' as master students of the Royal Conservatoire The Hague (Koninklijk Conservatorium Den Haag).

On Sound Projection
sound projection · 2019

On Sound Projection

I first learned about the term 'sound projection' during the Stockhausen courses (Kürten, Germany) back in 2008. Kathinka Pasveer, Bryan Wolf and Igor Kavulek assisted Karlheinz Stockhausen at the console or behind the stage for many years in his role of sound projectionist. Stockhausen invented this role in order to precisely describe his own work at and around the mixing desk in a live performance situation. In the absence of a concise definition of sound projection as an art, I think it's fai

Working on INVASION – EXPLOSION mit ABSCHIED
stockhausen · 2019

Working on INVASION – EXPLOSION mit ABSCHIED

The first project I had to work on for the 'aus LICHT' production was Stockhausen's INVASION – EXPLOSION mit ABSCHIED.

aus LICHT - Holland Festival 2019
sound projection · 2019

aus LICHT - Holland Festival 2019

In 2019 a marathon performance will be staged of a large portion of the LICHT cycle, composed by Karlheinz Stockhausen. Featuring selected highlights from the seven operas – one for each day of the week – it will offer a spectacular overview of Stockhausen's masterpiece. aus LICHT is a joint production of Dutch National Opera, the Holland Festival, Royal Conservatoire The Hague and Stockhausen Foundation. For tickets and more info, please visit:

Working on Stockhausen's EVAs LIED
sound projection · 2019

Working on Stockhausen's EVAs LIED

Early Electronic Music at KC
sound projection · 2016

Early Electronic Music at KC

A series of concerts organised by the Institute of Sonology "Historically Informed Performance Practice of Electronic Music".

SEE – Sonology Electroacoustic Ensemble
composition · 2015

SEE – Sonology Electroacoustic Ensemble

While I was doing my master at the Institute of Sonology, I had the chance to play the piano in the Sonology Electroacoustic Ensemble together with student colleagues from those years together with Richard Barrett.I recently found a recording of our presentation in a Sonology Concert in February 2015. We gave a rendition of one of Stockhausen intuitive music pieces from FÜR KOMMENDE ZEITEN: ÜBEREINSTIMMUNG (UNANIMITY) for ensemble.More to follow...