sound projection
FICC 2026 — UVERSA and COSMIC PULSES in San Juan, Argentina
South American premieres of Stockhausen’s UVERSA and COSMIC PULSES at the Teatro del Bicentenario, with Roberta Gottardi and Juan Andrés Verdaguer.
Setup for Stockhausen's SYNTHI-FOU 2022
Details on our performance and new setup of SYNTHI-FOU at the Stockhausen Courses Kürten 2022
Festival Internacional Cuyo Contemporáneo - FICC
About my participation in the FICC and my ongoing engagement with the contemporary music scene in Argentina.
Goethe Institut Berlin / Tokyo - unrest 62|22
On May 27th and 28th, 2022, I had the joy of projecting Stockhausen's TELEMUSIK and giving a lecture about it, as part of the celebratory events for Goethe Institut Tokyo's 60th anniversary. I had the pleasure of working with a wonderful group of artists, producers and organisers, including: Gebrüder Teichmann, Naoko Kikuchi, Mieko Suzuki, Makoto Oshiro, Angelina Mitterle and Dirk Lamprecht.
GESANG DER JÜNGLINGE at Kölner Dom
On October 29th, 2021, I projected Stockhausen's electronic masterwork GESANG DER JÜNGLINGE at Cologne's Cathedral.
Blickwinkel - URBAUM
On October 7th 2021 we premiered URBAUM in the Lichtturm in Solingen, Germany. During the following three days we performed in the evenings
Die Nacht der offenen Kirchen - Kirche Ketzberg Solingen
On Friday, October 1st. 2021, Christopher Collings (processed trumpet, flugelhorn and didgeridoo) and myself (in processing, electronics and sound projection) played a concert in the Kirche Ketzberg, in Solingen, Germany as part of Die Nacht der offenen Kirchen event. This concert was our debut as duo and also marked our first try out for our new performing setup. We worked on this setup for over a year, without counting previous years of jam sessions and performances of Stockhausen's music duri
aus LICHT Master Students
Our roles in 'aus LICHT' as master students of the Royal Conservatoire The Hague (Koninklijk Conservatorium Den Haag).
On Sound Projection
I first learned about the term 'sound projection' during the Stockhausen courses (Kürten, Germany) back in 2008. Kathinka Pasveer, Bryan Wolf and Igor Kavulek assisted Karlheinz Stockhausen at the console or behind the stage for many years in his role of sound projectionist. Stockhausen invented this role in order to precisely describe his own work at and around the mixing desk in a live performance situation. In the absence of a concise definition of sound projection as an art, I think it's fai
Working on INVASION – EXPLOSION mit ABSCHIED
The first project I had to work on for the 'aus LICHT' production was Stockhausen's INVASION – EXPLOSION mit ABSCHIED.
aus LICHT - Holland Festival 2019
In 2019 a marathon performance will be staged of a large portion of the LICHT cycle, composed by Karlheinz Stockhausen. Featuring selected highlights from the seven operas – one for each day of the week – it will offer a spectacular overview of Stockhausen's masterpiece. aus LICHT is a joint production of Dutch National Opera, the Holland Festival, Royal Conservatoire The Hague and Stockhausen Foundation. For tickets and more info, please visit:
Working on Stockhausen's EVAs LIED
A new version of Stockhausen's SYNTHI-FOU
Probably since I heard Antonio Perez Abellán play SYNTHI-FOU in Kürten (Germany) in 2009, I knew I wanted to work in this piece. Pianist Ivan Pavlov watching video material from the premiére of SYNTHI-FOU in my home studio in Rijnsburg.The score calls for 131 different sound timbres on multiple synthesisers that are used in succession through the piece, often more than one timbre is being played simultaneously. In this project, it was my duty to design the instrument (as a combination of hardwar
Early Electronic Music at KC
A series of concerts organised by the Institute of Sonology "Historically Informed Performance Practice of Electronic Music".